A message appeared on the Live Music Archive's Grateful Dead section stating that, after over a year of unlimited downloads to the 3,000-plus shows archived.
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Re: Grateful Dead concert recordings on the Internet Archive Honestly, that this download site has been shut down is a shame because it opened up an easy venue to download entire shows. Furtunately for me I was able to download all the shows I wanted and although there were more I could have I was not hard pressed to down load more. The Grateful Dead. Favorite favorite favorite favorite favorite ( 8 reviews ) Topics: Soundboard, Phil Matera Source: This remaster uses Charlie Miller's gd71-04-25.sbd.miller.95625.sbeok.flac16 as a baseline. Amplitude and Equalization adjustments were made using Cool Edit 2000.
Grateful Dead Download Series Volume 5 | ||||
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Live album by | ||||
Released | September 6, 2005 | |||
Recorded | March 27, 1988 | |||
Genre | Rock | |||
Length | 142:31 | |||
Label | Grateful Dead Productions | |||
Grateful Dead chronology | ||||
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Download Series Volume 5 is a live album by the rock band the Grateful Dead. It includes the complete concert recorded on March 27, 1988, at the Hampton Coliseum in Hampton, Virginia. It was released as a digital download on September 6, 2005.[1][2]
Except for the first two songs being from an 'Ultra-Matrix' soundboard/audience tape hybrid, the concert is from the soundboard master. The album was mastered in HDCD by Jeffrey Norman.
The show included one of only eight times the Grateful Dead played Bob Dylan's 'Ballad of a Thin Man'. The show also features the only time the band performed Miles Davis' 'So What'.
Track listing[edit]
Disc one
- First set:
- 'Iko Iko' (James 'Sugar Boy' Crawford, Barbara Anne Hawkins, Rosa Lee Hawkins, Joan Marie Johnson) - 5:06
- 'Little Red Rooster' (Willie Dixon) - 8:32
- 'Stagger Lee' (Jerry Garcia, Robert Hunter) - 5:33
- 'Ballad of a Thin Man' > (Bob Dylan) - 7:04
- 'Cumberland Blues' > (Garcia, Phil Lesh, Hunter) - 5:02
- 'Me and My Uncle' > (John Phillips) - 3:10
- 'To Lay Me Down' > (Garcia, Hunter) - 8:03
- 'Let It Grow' (Bob Weir, John Perry Barlow) - 11:35
Disc two
- Second set:
- 'Space' > (Garcia, Lesh, Weir) - 2:19
- 'So What' > (Miles Davis) - 0:57
- 'Sugar Magnolia' > (Weir, Hunter) - 5:13
- 'Scarlet Begonias' > (Garcia, Hunter) - 10:55
- 'Fire on the Mountain' (Mickey Hart, Hunter) - 10:40
- 'Estimated Prophet' > (Weir, Barlow) - 10:29
- 'Eyes Of The World' > (Garcia, Hunter) - 8:31
- 'Rhythm Devils' > (Hart, Bill Kreutzmann) - 7:28
Disc three
- 'Space' > (Garcia, Lesh, Weir) - 7:30
- 'Goin' Down the Road Feeling Bad' > (traditional, arranged by Grateful Dead) - 5:52
- 'I Need a Miracle' > (Weir, Barlow) - 3:20
- 'Dear Mr. Fantasy' > (Jim Capaldi, Steve Winwood, Chris Wood) - 4:53
- 'Sunshine Daydream' (Weir, Hunter) - 4:10
- Encore:
- 'U.S. Blues' (Garcia, Hunter) - 5:43
Personnel[edit]
Grateful Dead
- Jerry Garcia – lead guitar, vocals
- Brent Mydland – keyboards, vocals
- Mickey Hart – drums
- Bill Kreutzmann – drums
- Phil Lesh – electric bass
- Bob Weir – rhythm guitar, vocals
Production
- Dan Healy – recording
- Jeffrey Norman – mastering
References[edit]
- ^'Grateful Dead Download Series Volume 5 – 3/27/88'. Grateful Dead Family Discography. Retrieved October 16, 2018.
- ^'Download Series Vol. 5: Live at Hampton Coliseum, Hampton, VA'. AllMusic. Retrieved October 16, 2018.
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The Deadhead Archives strictly adheres to the stipulations stated below:
STATEMENT TO MP3 SITE OPERATORS
The Grateful Dead and our managing organizations have long encouraged the purely noncommercial exchange of music taped at our concerts and those of our individual members. That a new medium of distribution has arisen - digital audio files being traded over the Internet - does not change our policy in this regard.
Our stipulations regarding digital distribution are merely extensions of those long-standing principles and they are as follow:
• No commercial gain may be sought by websites offering digital files of our music, whether through advertising, exploiting databases compiled from their traffic, or any other means.
• All participants in such digital exchange acknowledge and respect the copyrights of the performers, writers and publishers of the music.
• This notice should be clearly posted on all sites engaged in this activity.
• We reserve the ability to withdraw our sanction of noncommercial digital music should circumstances arise that compromise our ability to protect and steward the integrity of our work.
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Grateful Dead Sanctions Free MP3 Music Format
Decision Follows Action Against Commercial Web Site
MILL VALLEY, Calif., May 11, PRNewswire
In a major policy initiative by one of the nation's most enduring musical groups, the Grateful Dead will, under strict guidelines prohibiting commercial use, allow free Internet downloads of live performances taped by their fans via the popular but controversial MP3 format, the group's attorney, Eric Doney, announced today.
Doney, a partner in the firm of Donahue, Gallagher, Woods & Wood, said the Grateful Dead is believed to be one of the first major bands to adopt a policy that essentially endorses free MP3 music, a format some members of the recording industry have strongly condemned.
The decision follows several weeks of discussion and review by the surviving members of the Grateful Dead and includes strict and non negotiable guidelines, Doney said. Furthermore, the announcement follows recent dispute with the owners of a web site that posted MP3 files of Grateful Dead live recordings for free download but received revenues from banner advertisements.
'The members of the Grateful Dead feel this decision is important and far reaching for both the band and their fans,' Doney said. 'This MP3 policy continues the band's long tradition of allowing free access to and trading of live recordings of their music and ensures that fans are not left with outmoded technology.
'At the same time, the strict guidelines protect the Grateful Dead against the very real threat of pirated intellectual property posed by the trading and possible sale of MP3 files via the Internet.'
Under the guidelines, any web site owner is free to post copies of the group's live recordings made by fans as MP3 encoded files but may not derive any form of revenues from the endeavor, Doney said. This means web site operators may not charge for downloads, may not solicit any form of advertising, may not post any type of banner advertisements and may not sell email addresses or other data about fans downloading Grateful Dead music.
Only live recordings are sanctioned by this initiative, Doney said. The Grateful Dead will continue to aggressively prosecute any web site operators or any other businesses trafficking in Grateful Dead studio recordings, which are protected under U.S. copyright laws, Doney said.